How to treat the Renaissance of Chinese furniture design

With the fierce competition in the furniture industry, people are paying more and more attention to the design of Chinese furniture. Some people are eager to have a Renaissance to change the current Chinese furniture design. Letâ€™s take a look at Chinese furniture with the Xiaobian of the home network . Designed by the Renaissance.

Xie Lijuan: Some people say that Chinese furniture design is waiting for a Renaissance to lead to a new artistic value system. What do you think?

Hao Liping: When it comes to home art design, it should be the product of today's era. In the past, furniture, decoration, decoration, and space were completely separated. In the decade of reform and opening up, every field of our industry has been advancing by leaps and bounds, but lacking a complete system, that is to say, the industrial chain of our industry is not As far as complete, the value chain is broken. To integrate the home industry chain, you must pass the value chain, and the design can make the value chain more complete, because the design can wear all kinds of home-based industries and better serve our life chain.

Xie Lijuan: The Renaissance movement from the 14th to the 17th century promoted the development of two aspects. On the one hand, it promoted the development of industry, and the other promoted the development of people-oriented thinking. In the Renaissance movement in the furniture industry, How to reflect people-oriented?

Hao Liping: Beijing is originally the capital of design. The country is also talking about the two-wheel drive of culture and technology. Now almost all industries are emphasizing the upgrading from manufacturing to creative industries. The creation industry is obviously starting from innovation and design. Achieving the improvement of the industry and the improvement of the quality, these have been improved, and it is also able to meet the good needs of ordinary people. From the perspective of our industry, whether it is positioning high-end or mid-end products, the first position is to obtain the trust and recognition of the products of the people. This identity comes from several aspects, one is the visual experience, the visual feeling comes from the culture and creativity. And then the quality, if the product customers do not look, the quality is no good. How can we make the people like the products? I think this has something to do with the culture of the factory. We have always emphasized the design of all staff, not the development of the design - the products are listed directly, we emphasize that through the design The integration of the factory allows everyone to understand the idea of â€‹â€‹the product. Only the producer knows who to use and how to use it, in order to grasp every link of production. This is done - the work can be The product that consumers like is the real people-oriented design.